28th AIFF Theme

Blindness

Films, which offer a gigantic visual space on the silver screen can also focus on the results without building reasons. The invisible space they offer, besides the visual space, limits the sight and attracts audience's uneasy glances.

What happens when audience’s and camera’s point of views do not overlap? The audience becomes blind. What is the cure for going beyond it? When does cinema make us blind? How does it build its authority with the prevailing blindness?

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